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Anti-Public: Dada, Negation and Universalit
For ‘Art and the Public Sphere,’ Issue 2 |
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4 Questions
4 responses to 4 questions for the project ‘Our Day Will Come’ |
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Dada Qua Slogan
On the word ‘Dada’ |
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Brilliant Desperation: review of Group Material book
For ‘Art and the Public Sphere,’ Issue 1
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Withdrawal and Negation: 1916 in Two Parts
Catalogue essay for the exhibition ‘1916’ |
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How Not to Talk About Art
Advice for Lacanians |
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Reading Badiou’s 15 Theses on Art
Lecture notes |
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Noboy’s Perfect
Essay for Sonia Shiel book |
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For the Avant-Garde: Notes on Art, Capitalism & Revolution
For ‘The Artists’ Economy’ |
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Article 31
On ‘Article 31’ by Freee Art Collective |
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Which Public?
A response to the Art as a Public Issue conference |
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Notes On Slogans
Text for Freee Art Collective |
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Ben Cain
Commission by Site gallery |
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The Non-Existence of Art
Commission by Colony |
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Just Give Me the Truth: a Philistine’s Guide to Public Art
Catalogue essay for Freee Art Collective |
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Popular Affront: Some Notes for Ayling and Conroy
Commission for Leicester City gallery |
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The Whole World Bad
Text for Steve Klee |
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Analysis 01: On Collectivity
with John Timberlake & Dave Beech |
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Notes on the Idea of Site
For Sideshow |
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The Still: Animation and the Critical Potential of Stillness
For ‘The Animators’ |
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Pictures From Nowhere
Text for Caroline McCarthy |
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Work is the Obscene and Shameful Secret of Art
For ‘Futurology’ |
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Inconsequential Bayonets
For ‘Curating Subjects’ |
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The Terrors of Experts, Curators and Publics
For The Internationaler |
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Inside Out
Text for Beagles and Ramsey |
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Painting in the Age of Digital Reproduction
For The Analogue Surface |
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Review of John Timberlake
For The Future |
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The New Curation
Polemic |
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Decoys and Models
For The First Condition |
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Review of Beagles and Ramsay
For Matters |
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Where’s This Going?
Text for Paul O’Neill |
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Four Stages of Public Art
For Third Text |
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An Art of Escape
Text for Caroline McCarthy |
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Excess and Amateurism: William Blake, the Chapman Brothers and Hell
For everything |
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Gotcha: Why Trompe L’oeil Painting Is Better Than Sliced Bread
For everything |
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The Ruin of Walter Benjamin
For everything |
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Celebrity and Obscruity
For everything |
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Public Art - Oxymoron or What?
For everything |
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Ghostcatchers
Text for Lindsay Seers & Francois LeFranc |
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Forbidden Pleasure
For Artifice |
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Traces of Conceptualism
For Artifice |
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Too Much
For Artifice |
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The Vivacity and Complexity of Everyday Life
Review of |
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Are You Culture-tastic?
Text for Outpost |
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Who’d Be a Curator?
Text for Outpost |
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Unhappy Performatives
Text for Red Dot |
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